True, the likes of ‘My Own Summer (Shove It)’ and ‘Be Quiet And Drive (Far Away)’ will always be synonymous with the genre that gave us Limp Bizkit and Kid Rock, but compared to ‘Break Stuff’ (for example) they’re wonderfully detailed, texturally deep songs that can still electrify the senses. Again, Date is the man at the production controls, delivering a sharp end product – but Deftones’ ambition was now bubbling over, and they were ready to remove themselves from the nu-metal equation entirely. ![]() The breakthrough, spawning a couple of MTV-courting singles, and also the album that brought electronics man Frank Delgado into the fold to expand the band’s sonic palette.
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